ABOUT ME

Meet the many-hat-wearing crazy person at the helm of the ship.

“I never planned to become a craftsman.”

It started in 2017 with a worn-out wallet and a naïve thought: “I could probably make one myself.”

I was wrong — the first attempt was terrible. But something about that process hooked me. I’ve been honing this craft ever since.

Eight years later, I’m still crafting — still chasing that moment where function, form, and feeling all align. One of my earliest proud pieces, a classic bifold wallet, still sits on my shelf as a reminder: this isn’t just a trade.

The craft has taken me from my birthplace in Singapore, to Canada, and now Vietnam.
It’s a lifetime pursuit.

the hands at work, saddle stitching in progress.

My Philosophy

I believe true luxury isn’t defined by branding — but by integrity and quality.

Mass-produced “luxury” today is inflated by logos and marketing, often neglecting the very essence of craftsmanship. In contrast, I build each piece with care, time, and an obsessive attention to detail — because you can feel the difference.

Each product is “consistently inconsistent.” Made by hand, from natural materials, each one carries slight variations — not flaws, but fingerprints of the process. I embrace them. Leather should feel alive. My pieces are made to feel unmistakably human.

minimalist-style milled leather messenger bag with a matching leather crossbody strap, black leather and black hardware.

The Craft

Every item is hand-cut, hand-stitched, and hand-finished — no machines, no shortcuts.

Why?

Because I believe that there is something magical about it.

Working with only hand-tools and the material, I am connected to a current that traces back to the beginning of human history.

I am connected to the craft and the material in a way that lets me appreciate the process and the result.

Nothing is rushed, and every part of the project receives the attention it deserves.

I primarily use vegetable-tanned leather from Italy, chosen for its richness and longevity.

I occasionally use chrome-tanned or combination-tanned leathers for the wide range of colours and consistent finish.

Upon request, I also work with exotic leathers like crocodile, stingray, and ostrich for projects.

Your choices are limited only by your imagination.

Inspired by the Japanese shokunin ethos, I aim for harmony through experience: simple techniques, deeply refined through constant practice. Some of my construction methods are impossible to replicate by machine. But that’s the point — I make things machines can’t.

mint tote bag with matching small pouch. piping in contrast natural colored leather.


For Those Who Notice

My work is for people who seek quiet luxury.

Collectors. Creators. Connoisseurs of subtlety.

People who’ve been let down by mass-produced retail “luxury” and want something real.

When you hold one of my pieces, I want you to think:

“I can’t believe someone made this.”

And years later:

“Every detail just… makes sense.”



Close-up of a black wallet with green stitching, placed on matching green textured surface.

A Growing Circle

My dream isn’t mass production. It’s lasting connection.

A connection to the material, the craft, and you, the customer.

To build a reputation based on quality, care, and character — not hype.

If you’re one of the few who still value the human behind the object, I’m glad you’re here.


Let’s make something timeless.


Close-up of a metal caliper, spool of red thread, black and gold needle, and a black awl on brown leather